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John and his buddy Jeremy are emotional criminals who know how to use a woman's hopes and dreams for their own carnal gain. Their modus operandi: crashing weddings. Normally, they meet guests who want to toast the romantic day with a random hook-up. But when John meets Claire, he discovers what true love โ and heartache โ feels like.
Wedding Crashers is a 2005 comedy directed by David Dobkin, written by Steve Faber and Bob Fisher, and starring Owen Wilson and Vince Vaughn as John Beckwith and Jeremy Grey, two Washington lawyers who spend their summers crashing strangers' weddings in order to pick up women. Rachel McAdams and Isla Fisher play the Cleary sisters, Claire and Gloria, with Bradley Cooper as Claire's appalling boyfriend Sack Lodge, Christopher Walken as their father, Jane Seymour as their mother, and an uncredited Will Ferrell as Chazz Reinhold. It was released on 15 July 2005, which means it is now twenty-one years old, and if it were a person it could legally buy itself a drink in America. I am not emotionally prepared for that and I suspect neither are you.
I should also admit that I think I missed the boat on this one entirely, and that I arrive carrying a bias I cannot defend.
That bias is Vince Vaughn. I have a completely irrational disdain for the man, to the point where I actively avoid films he appears in. It is not a considered critical position and I am not going to pretend otherwise. There are exceptions, and Dodgeball is the significant one, which is notable given it arrived the year before this. In roughly eighteen months he made the only two films of his that I will actively defend, and then, as far as I am concerned, he went home.
What genuinely works here is the supporting cast, and in particular the two performers this film launched.
Isla Fisher is the standout. She plays Gloria as someone operating several rooms away from stable, and she commits so completely that it becomes genuinely funny rather than merely broad. It is a fearless comic performance, and it is worth noting that she is Australian, had come up through Home and Away, and was largely unknown internationally before this. Wedding Crashers is the film that made her a name.
Bradley Cooper is the other. His Sack Lodge is one of the great punchable screen antagonists, an entitled, sneering, casually cruel man, and Cooper plays him so convincingly that I finished the film with quiet concerns about how much of it was acting. He too was largely a television actor beforehand, and this is the role that opened the door for everything that followed.
Rachel McAdams is excellent, which is neither surprising nor interesting to report, because she has been excellent in absolutely everything she has ever appeared in.
And I will admit to taking a personal and disproportionate amount of pleasure from the sequence in which Vaughn's character is shot in the backside during the hunting trip. It is funny in its own right. It was funnier to me specifically.
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Reviewed on September 17, 2026
For the first stretch, this is a perfectly good film. It is sharp, it moves, the two leads have genuine chemistry, and Vaughn and Wilson reportedly reworked a lot of the material themselves, which shows in how loose and quotable it is.
Then Will Ferrell arrives as Chazz Reinhold, and for me the film falls apart. I want to be fair and acknowledge that this cameo is beloved, frequently quoted, and regarded by many as a highlight. I found it the precise point at which the film ran out of momentum and coasted to the credits. The broader criticism that the back half sags considerably is a common one, so I am at least not alone on the structural point, even if I am blaming a different culprit than most.
A few numbers worth knowing, because they are genuinely impressive. The film was made for around forty million dollars and took roughly two hundred and eighty-five million worldwide, and it became the first R-rated comedy in history to clear two hundred million at the box office. For a mid-budget comedy with no special effects and no franchise behind it, that is a remarkable result.
And my favourite piece of trivia attached to this production. In 2007, somebody commissioned a spin-off reality series called The Real Wedding Crashers. It lasted four episodes. Four. It exists, it happened, and then it very quietly stopped happening.
A sequel, meanwhile, has apparently been under discussion for two decades. Vaughn has said repeatedly that he would happily return if somebody brought him a genuinely good idea, which after twenty years suggests that nobody has.
Overall, this is a good, not bad film. I suspect I would have loved it in 2005 and I simply arrived far too late.
The Verdict
6/10 โ Recommended
2026