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Stowaway is a 2021 science fiction drama directed by Joe Penna and co-written with Ryan Morrison, released on Netflix and running 116 minutes. Toni Collette plays Commander Marina Barnett, Anna Kendrick is medical researcher Zoe Levenson, Daniel Dae Kim is botanist David Kim, and Shamier Anderson is Michael Adams, a launch support engineer who ends up aboard a two-year mission to Mars entirely by accident.
This had a really cool concept. It genuinely could have been one of those undiscovered gems that I get to spend a review enthusiastically pressing on people.
It did not get there. It missed the mark, and it missed it by an enormous distance.
And the thing I genuinely cannot move past is the panel. The man is drilled into it. Bolted in. Commander Barnett has to produce power tools in order to free him. And the film offers absolutely no account of how he came to be in there.
I want to be clear that this is not me nitpicking a small thing, because it is comfortably the most common criticism of this film. One reviewer wrote that it is very telling of the script that the audience simply has to ignore that this man was literally drilled into the wall panel. Another noted that the film never makes clear how Michael sealed himself into the ceiling, and generously described it as required hand-waving in an otherwise scientifically accurate movie. A third went considerably further, arguing that the only logical conclusion available is that somebody deliberately knocked him out and stuffed him in there, either as sabotage or because he was himself a saboteur.
And the film does gesture at that, for roughly one second, when Barnett offers an offhand remark about how Michael seems genuine. And then the matter is dropped permanently. That is the entire investigation into how a man ended up welded inside the life support system of a spacecraft bound for Mars.
It is also worse than I had registered while watching. Nobody performed a headcount before launch. Somebody sealed a service panel with an unconscious human being behind it. He was in there for over twelve hours, bleeding from a serious abdominal wound, and the first anybody knew about it was when Barnett spotted a drop of blood on the floor. Ground support personnel communicate constantly and are cleared well away from a launch vehicle before takeoff. None of this is addressed.
Which brings me to the part that annoyed me more rather than less once I understood it.
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Reviewed on October 30, 2026
A three-person crew on a mission to Mars faces an impossible choice when an unplanned passenger jeopardizes the lives of everyone on board.
This premise is not new. Stowaway is loosely based on The Cold Equations, a 1954 short story by Tom Godwin, which is one of the most famous moral dilemmas in all of science fiction. It is so well known that the scenario is named after it. A stowaway aboard a spacecraft with no margin for additional mass, and the horrifying arithmetic that follows. The story has been adapted repeatedly across seven decades.
So the filmmakers had a fully constructed, time-tested moral framework sitting right there. And the recurring criticism from reviewers is that Stowaway had all of those themes available to it and never developed the capacity to properly engage with any of them. It raises the dilemma, circles it, and resolves it without ever really interrogating it.
I should be straightforward about the fact that I am outnumbered here, and significantly. Stowaway holds a 76 percent approval rating on Rotten Tomatoes from 110 reviews, with an average of 6.5 out of 10, and it appears on the site’s list of the best science fiction films of 2021. Variety called it a catchy outer-space morality play and praised Penna’s voice as a filmmaker. Audiences were considerably harsher, with the IMDb rating sitting at 5.6. I am firmly in that second group.
There is one piece of context I genuinely enjoyed. Joe Penna is Brazilian, and before making films he was a YouTuber who went by the name MysteryGuitarMan. His first feature was Arctic, with Mads Mikkelsen, which is a genuinely excellent survival film. So the talent is real and demonstrable, which is precisely why this one is frustrating rather than merely disappointing.
I left this film sad about what it could have been.
And I do not want to talk about anything I actually liked in it, because it might entice you to try and watch it.
Just do not.
The Verdict
3/10 — Not Recommended
2015
Streaming on · US